Approaching the Zenith

Anticipation builds as I approach the most climatic moments of Blestemul.

As a writer, I find these feelings difficult to deal with. Sometimes, I can accept them. Channel them. Sometimes, the thought of finishing a book, or writing along to the end is very intimidating. It’s not the size of the project (a book is done when it’s done) its the…well fuck. I don’t know what it is. It’s a weird backwards anxiety that wants to be embraced and ignored all at the same time.

Writing hand to hand combat scenes, gunfights, large scale battles, these are things that are well, once again, intimidating. The violence and intensity, and the utter intimacy of combat is difficult to capture. And I still don’t know if I am doing it well enough. And it’s not just action sequences- there are many large and powerful plot points that are coming up, ones that will completely change the face of the book and allow it to go into a different direction. There’s a lot of pressure there, but then again, all I’m doing is tellin’ a story.

But that point is trivial. The feelings are still there.

Big moments in books come in many shapes and sizes, and they are all a little scary to face and actually flesh out. You name it: love scenes, loss scenes, pivotal parts where your protag meets your antag, killing important characters, dialogue, oh the list goes on and on, and every author worth their salt meets these challenges head on and the good ones execute with precision and merciless vocabulary. And the gravity of these plot points can be daunting to anyone that means to tell a story. But it must be done.

I guess the purpose of this entry was mostly confessional. I talk harsh, violent, and to the point, but I’m still a human wrapped in a greasy shell of meat, and I can still feel fear. Anxiety. Sheepish. And…I think that’s okay. Such vulnerabilities makes a better author, which in tern makes a better book. What about you?

How do you deal with such pivotal points in your stories? Novel or no, you’ve faced these challenges in fiction, and in different forms with non. Confess to us all. You’ll feel better.

And you’ll be a better writer for it.

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